brummagem (in progress) For the UNC Wind
Ensemble; Michael Votta, Jr., conductor..
Mein' Augen sind schon zu (2004) For string
orchestra.
Premiered by the University of Pittsburgh Orchestra; Roger Zahab
conducting.
the
night copies me in all
its stars (2000) For orchestra.
For the New Jersey Symphony Orchestra. Recorded Aug. 2005 by the Kiev
Philharmonic.
...to an unnamed beneficiary (2008) For
clarinet, trumpet, and celesta.
For The Questions Project,
sponsored by Bohn Media.
6&7
(2007) Miniature for string quartet.
Early draft read by the Brentano String Quartet.
candlepin·
bowling· deadwood
(2005) For
flute, clarinet (bass cl.), violoncello, piano, and drum set.
For the California EAR Unit.
chapman's homer (2005) For solo violin.
For Roger Zahab.
wndhm (1785) (2005) For solo piano.
Commissioned by Benjamin Binder.
stone guest (2003) 19 miniatures in open
form for 2 violins and 2 trombones.
morgenstreich
(2001) For flute, clarinet,
harp, amplified piano, and string quartet.
Premiered by the Nash Ensemble of London.
Abschrift von unbekannter Hand (2002, rev.
2004) For solo violoncello.
Premiered by Zoë Martlew. Revised version premiered by David
Russell.
break the levee
(2002) For prepared piano
and percussion quartet.
For the Talujon Percussion Quartet.
after Idumea
(2001) For solo melodica.
For the Beyond the 88 Festival, Princeton University.
celluloid night
(2000) For guitar quartet.
For the Minneapolis Guitar Quartet.
outskirts [tupelo,
mississippi. march 1936.]
(1999) For string quartet and marimba.
Premiered by Nancy Zeltsman and the Ives (Stanford) Quartet.
anthem
[rowhouses.
Indianapolis.]
(1998) For solo electric guitar.
Premiered by Steven Mackey.
Northport
(2002) Cantata for flute,
clarinet, two trumpets, trombone, two tubas, autoharp, guitar, electric
bass,
percussion (2 players), piano, SATB chorus with soloists, and narrator.
Commissioned by Shalom Presbyterian Church, Fort Atkinson, Wisconsin.
Quod oculus non vidit
(2002) For soprano
and cimbalom.
Premiered by Susan Narucki and Enikö Ginzery.
[peje iesus je]
(2001) For soprano,
countertenor, tenor, and bass-baritone soloists
For Paul Hillier and Theatre of Voices.
Komm süsser Tod
(2001) For SSAATBB
chorus a cappella.
Commissioned and premiered by Dr. Harry Johansen and the University of
Wisconsin-Whitewater Chamber Singers.
O maria stella maris
(2000) For two
countertenors and mixed chorus.
Premiered by the Princeton University Chamber Chorus; Richard Tang Yuk,
conducting.
Selling the sound of my voice (2007)
Interactive installation incorporating 88+1 audio layers and opt. live
percussion.
A collaboration with visual artist Brice Brown. Installed in
VertexList Gallery, Brooklyn, Fall 2007.
Type I error [111306-011107] (2007) For
two-channel tape.
For the CD project Clairaudience:
New Music from Electronic Voice Phenomena, Bohn Media.
a foreign sound to your ear (what else can you show
me?) (2006) For two-channel
tape.
Installation as part of the Weisman Art Museum's exhibit, "Bob Dylan's
American Journey 1956-1966" and in
conjunction with the 2007 Spark Festival, University of Minnesota.
...calling (2006) Miniature for stereo
tape (sources sounds from auctioneer recordings).
program note by Henry Cowell [Beta] (2006) Miniature
for
stereo tape.
Signature piece composed for the Vox Novus 60x60 Project.
pipers' noise (2006) For one or more snare
drum(s) and stereo tape.
Commissioned by the University of Georgia School of Music in
celebration of the 10th anniversary of the Performing
Arts Center.
program note by Henry Cowell (2006) For
two-channel tape.
When Tyrants Kiss (2004) Acoustic/electric
soundtrack to the independent, feature-length film.
morgenstreich
(2001, rev. 2003) For flute,
clarinet, harp, amplified piano, string quartet, and stereo electronics.
Revised and extended (+ electronics) version commissioned and premiered
by the Azure Ensemble.
little white house (underpass to the foundation), 1
p.m. (2002) For nine electrofitted toy pianos.
For Trimpin's Klavier nonette installation.
black narcissus
(1996) "Song cycle" for
computer-assisted Bösendorfer 290SE piano and pianist.
Commissioned by Donald Gren.
Lobster (1995) For reader,
trombone, amplified piano,
percussion and live electronics.