sideline

Courses, Academic Year 2007-2008



SPRING 2008


  • MUS 103 Introduction to Music
    Simon A. Morrison

  • MUS 106 Music Theory through Performance and Composition
    Scott Burnham

  • MUS 206 Tonal Syntax
    Dan Trueman

  • MUS 213 Projects in Instrumental Performance: Chamber Music
    Mark Steinberg, Serena Canin, Misha K. Amory

  • MUS 217 Orchestral Music: Analysis and Performance
    Michael J. Pratt

  • MUS 232 Music of the Renaissance
    Rob Wegman

  • MUS 234 Music of the Baroque
    Wendy Heller

  • MUS 258 Music of Africa
    Kofi Agawu

  • MUS 270 Medieval and Renaissance Music from Original Notation
    Peter Jeffery

  • MUS 308 Contemporary Music through Composition and Performance
    Eric Moe

  • MUS 314/COS 314 Computer and Electronic Music through Programming, Performance, and Composition
    Daniel L. Trueman, Perry R. Cook

  • MUS 316 Computer and Electronic Music through Programming, Performance, and Composition
    Daniel L. Trueman, Perry R. Cook


  • MUS 511/HLS 511 Problems in Early Christian Music
    Peter Jeffery

  • MUS 514 Topics in 19th- and Early 20th Century Music
    Elizabeth Bergman, Simon Morrison

  • MUS 526 Topics in Music from 1400 to 1600
    Rob Wegman

  • MUS 532 Composition
    Staff

  • MUS 533 Seminar in Analysis
    Barbara White

  • MUS 548 Ends and Means: Issues in Composition
    Perry Cook

  • MUS 542 Instrumentation and Performance
    Barbara White






FALL 2007


  • MUS 105 Music Theory through Performance and Composition
    Scott Burnham

  • MUS 205 Species Counterpoint
    Dan Trueman

  • MUS 214 Projects in Vocal Performance: Le Nozze di Figaro
    Richard Tang Yuk, David Kellett

  • MUS 215 Projects in Jazz Performance
    Joanne Brackeen

  • MUS 236 Music of the Classical Period
    Peter Jeffery

  • MUS 250 World Music Cultures
    Peter Jeffery

  • MUS 309 Advanced Tonal Analysis
    Kofi Agawu

  • MUS 310 Advanced Workshop in Musical Composition
    Annie Gosfield


  • MUS 515 Topics in the History of Opera: Opera and Gendered Voices in Early Modern Europe
    Wendy Heller

  • MUS 533 Seminar in Analysis: Schubert
    Scott Burnham, Barbara White

  • MUS 534 Ends and Means: Issues in Composition
    David Lang

  • MUS 539 Acoustics and Compositional Resources
    Dan Trueman, Perry Cook