CHAMBER

Dancing about Architecture for flute, clarinet, violin, cello
Metamorphosis for cello and piano
Raw Materials for two pianos
Collective Behavior for saxophone quartet
Folie a deux for violin and piano
Now and Again for piccolo, clarinet, electric guitar, bass, piano
Hypnagogia for flute/piccolo, cello, and piano
Taking Sides for string quartet and piano
Rising for voice, trumpet, cello, piano
One Sided/Two Faced for two saxophones, trombone, double bass
Spill for viola, bassoon, electric guitar, percussion
Angels of Serenity for flute/piccolo, clarinet, violin, cello, piano
Whirligigs and Gewgaws for string quartet
Two Duets for percussion:
      while blue above leaps the sheer sky for two marimbas
     that's all there is for two snare drums
Box for eight cellos
Distance Returning for string quartet and piano
Catch in the Turn for flute, clarinet, violin, cello, piano
Imaginary Conversations for string quartet
The Death of Dudleytown for two baroque flutes and processing

SOLO

Succes de Scandale for solo cello
None So Sweete as Melancholy for solo piano
Dark Current for solo guitar
Stances for solo piano

VOCAL

The Bridge of Love for chorus and piano (James Wright)
to the never ending for four voices (James Henry)
Genius Child for SSA chorus, piano, bass, and drums (Langston Hughes)
Lotus Leaves for chorus and piano (Oscar Wilde)
I Love in Singing for soprano and piano (George Eliot)
Prozessionslied for eight part chorus a cappella (Walther von der Vogelweide)
Winter Nights for chamber choir or eight voices (Thomas Campion)

ORCHESTRA/LARGE ENSEMBLE

Hypnagogia version for orchestra
Maverick for orchestra
Flurry for chamber orchestra, also version for full orchestra
Wide-Eyed Wonder for jazz big band